Το Λονδίνο υποκλίνεται στον σουρεαλισμό - Άγνωστες εικαστικές ιστορίες στην Tate

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Το Λονδίνο υποκλίνεται στον σουρεαλισμό - Άγνωστες εικαστικές ιστορίες στην Tate
Ημερομηνία: 13/3/2022, 09:44 - Εμφανίσεις: 142

ÎŸ ÏŒÏÎ¿Ï‚ Â«ÏƒÎ¿Ï…ÏÎµÎ±Î»Î¹ÏƒÎ¼ÏŒÏ‚Â» ÎµÏ€Î¹Î½Î¿Î®Î¸Î·ÎºÎµ Ï„Î¿ 1917 Î±Ï€ÏŒ Ï„Î¿Î½ Î“Î¬Î»Î»Î¿ Ï€Î¿Î¹Î·Ï„Î® Î“ÎºÎ¹Î³Î¹ÏŽÎ¼ Î‘Ï€Î¿Î»Î»Î¹Î½Î±Î¯Ï, Î±Î»Î»Î¬ Î®Ï„Î±Î½ ÎÎ½Î±Ï‚ Î¬Î»Î»Î¿Ï‚ Î“Î¬Î»Î»Î¿Ï‚ Ï€Î¿Î¹Î·Ï„Î®Ï‚, Î¿ Î‘Î½Ï„ÏÎ ÎœÏ€ÏÎµÏ„ÏŒÎ½, Î±Ï…Ï„ÏŒÏ‚ Ï€Î¿Ï… Ï„Î¿Î½ ÎºÎ±Î¸Î¹ÎÏÏ‰ÏƒÎµ ÏƒÏ„Î¿ Â«Î£Î¿Ï…ÏÎµÎ±Î»Î¹ÏƒÏ„Î¹ÎºÏŒ ÎœÎ±Î½Î¹Ï†ÎÏƒÏ„Î¿Â» Ï„Î¿Ï… 1924.

ÎœÎµ Ï„Î¿ Î¼Î±Î½Î¹Ï†ÎÏƒÏ„Î¿ Ï„Î¿Ï… ÎœÏ€ÏÎµÏ„ÏŒÎ½ Ï„Î¿ Î Î±ÏÎ¯ÏƒÎ¹ ÎÎ³Î¹Î½Îµ Ï„Î¿ ÎºÎÎ½Ï„ÏÎ¿ Î±Ï…Ï„Î¿Ï Ï„Î¿Ï… ÎºÎ¹Î½Î®Î¼Î±Ï„Î¿Ï‚ Ï€ÏÎ¿ÏƒÎµÎ»ÎºÏÎ¿Î½Ï„Î±Ï‚ ÎºÎ±Î»Î»Î¹Ï„ÎÏ‡Î½ÎµÏ‚ Î±Ï€ÏŒ Ï„Î¿Î½ Î£Î±Î»Î²Î±Î´ÏŒÏ ÎÏ„Î±Î»Î¯ ÎºÎ±Î¹ Ï„Î¿Î½ ÎœÎ¬Î½ Î¡ÎÎ¹ Î¼ÎÏ‡ÏÎ¹ Ï„Î¿Î½ ÎœÎ±Î¾ Î•ÏÎ½ÏƒÏ„ ÎºÎ±Î¹ Ï„Î· Î›ÎµÎ¿Î½ÏŒÏÎ± ÎšÎ¬ÏÎ¹Î½Î³ÎºÏ„Î¿Î½.

Î Î¬Î½Ï„Ï‰Ï‚, Î¿Î¹ Î±ÏÏ‡ÎÏ‚ Ï„Ï‰Î½ Ï€Î¹Î¿Î½Î¹ÎÏÏ‰Î½ Ï„Î¿Ï… ÎºÎ¹Î½Î®Î¼Î±Ï„Î¿Ï‚ ÏƒÏ„Î¿ Î Î±ÏÎ¯ÏƒÎ¹ Î¬Î½Î¸Î¹Î¶Î±Î½ ÎºÎ±Î¹ Î±Î»Î»Î¿Ï: Î³Î¹Î± Ï€Î±ÏÎ¬Î´ÎµÎ¹Î³Î¼Î±, Î±Ï€ÏŒ Ï„Î·Î½ ÎºÎ±Î»Î»Î¹Ï„ÎµÏ‡Î½Î¹ÎºÎ® ÎÎºÏ†ÏÎ±ÏƒÎ· Ï„Î¿Ï… Î¡ÎµÎ½Î ÎœÎ±Î³ÎºÏÎ¯Ï„ ÏƒÏ„Î¿ Î’ÎÎ»Î³Î¹Î¿ Î¼ÎÏ‡ÏÎ¹ ÎÎ½Î± ÎºÎÎ½Ï„ÏÎ¿ ÎºÎ±Î»Î»Î¹Ï„ÎµÏ‡Î½Î¹ÎºÎ®Ï‚ Î´ÏÎ±ÏƒÏ„Î·ÏÎ¹ÏŒÏ„Î·Ï„Î±Ï‚ ÏƒÏ„Î¿ Î’ÎµÎ»Î¹Î³ÏÎ¬Î´Î¹.

ðŸ¦Ž Reality and illusion intermingle seamlessly in Kati Hornaâ€™s surrealist photographs, serving as windows into fantastic worlds.

âœ¨ Discover Hornaâ€™s dreamy scenes in #SurrealismBeyondBorders at Tate Modern âž¡ https://t.co/FHmLzSfXTl pic.twitter.com/R92cgfPMRm â€” Tate (@Tate) March 4, 2022 Î— ÎÎºÎ¸ÎµÏƒÎ· Â«Surrealism Beyond BordersÂ», Ï€Î¿Ï… Ï†Î¹Î»Î¿Î¾ÎµÎ½ÎµÎ¯ Î· Tate Modern Ï„Î¿Ï… Î›Î¿Î½Î´Î¯Î½Î¿Ï…, Ï†Î¹Î»Î¿Î´Î¿Î¾ÎµÎ¯ Î½Î± Î±Î½Î±Î´ÎµÎ¯Î¾ÎµÎ¹ Î±Ï…Ï„ÏŒ Ï„Î¿ Ï€Î±Î³ÎºÏŒÏƒÎ¼Î¹Î¿ ÎºÎ¯Î½Î·Î¼Î±, Ï„Î¿Ï€Î¿Î¸ÎµÏ„ÏŽÎ½Ï„Î±Ï‚ Ï„Î¹Ï‚ Î³Î½Ï‰ÏƒÏ„ÎÏ‚ Ï†Î¹Î³Î¿ÏÏÎµÏ‚ Î´Î¯Ï€Î»Î± ÏƒÎµ Î±Ï…Ï„Î¿ÏÏ‚ Ï€Î¿Ï… Â«ÎÏ€ÎµÏƒÎ±Î½ ÎÎ¾Ï‰ Î±Ï€ÏŒ Ï„Î·Î½ Î¹ÏƒÏ„Î¿ÏÎ¯Î±Â».

View this post on Instagram A post shared by Tate (@tate) Â«ÎŸÎ¹ Î³Î½Ï‰ÏƒÏ„ÎÏ‚ Ï†Î¹Î³Î¿ÏÏÎµÏ‚ Î®Ï„Î±Î½ Î¼ÎÏÎ¿Ï‚ Î¼Î¹Î±Ï‚ ÎºÎ¿Î¹Î½ÏŒÏ„Î·Ï„Î±Ï‚ ÎºÎ±Î»Î»Î¹Ï„ÎµÏ‡Î½ÏŽÎ½, ÏƒÏ…Î³Î³ÏÎ±Ï†ÎÏ‰Î½ ÎºÎ±Î¹ ÏƒÏ„Î¿Ï‡Î±ÏƒÏ„ÏŽÎ½ ÎºÎ±Î¹ Î±Ï…Ï„Î¿Î¯ Î¿Î¹ Î¯Î´Î¹Î¿Î¹ ÎµÎºÏ„Î¹Î¼Î¿ÏÏƒÎ±Î½ ÎµÎºÎµÎ¯Î½Î¿Ï…Ï‚ Ï€Î¿Ï… ÎµÎ¯Ï‡Î±Î½ Ï„Î·Î½ Ï„Î¬ÏƒÎ· Î½Î± Ï€ÎÏ†Ï„Î¿Ï…Î½ ÎÎ¾Ï‰ Î±Ï€ÏŒ Ï„Î·Î½ Î¹ÏƒÏ„Î¿ÏÎ¯Î± Î³Î¹Î± Î¼Î¹Î± ÏƒÎµÎ¹ÏÎ¬ Î±Ï€ÏŒ Î»ÏŒÎ³Î¿Ï…Ï‚, ÏƒÏ…Ï‡Î½Î¬ ÏƒÏ‡ÎµÏ„Î¹Î¶ÏŒÎ¼ÎµÎ½Î¿Ï…Ï‚ Î¼Îµ Ï„Î¹Ï‚ Ï€Î¿Î»Î¹Ï„Î¹ÎºÎÏ‚ Î³Î¹Î± Ï„Î¿ Ï†ÏÎ»Î¿ ÎºÎ±Î¹ Ï„Î· ÏÎ¬Ï„ÏƒÎ±Â» Ï…Ï€Î¿Î³ÏÎ±Î¼Î¼Î¯Î¶ÎµÎ¹ Î¿ Matthew Gale, ÎÎ½Î±Ï‚ Î±Ï€ÏŒ Ï„Î¿Ï…Ï‚ ÎµÏ€Î¹Î¼ÎµÎ»Î·Ï„ÎÏ‚ Ï„Î·Ï‚ ÎÎºÎ¸ÎµÏƒÎ·Ï‚ ÏƒÏ„Î·Î½ Tate Modern.

ÎŠÏƒÏ‰Ï‚ Î¿ ÎµÏ…ÏÏ‰Ï€Î±Î¹Î¿ÎºÎµÎ½Ï„ÏÎ¹ÏƒÎ¼ÏŒÏ‚ Ï„Ï‰Î½ Ï€Î¿Î»Î¹Ï„Î¹ÏƒÏ„Î¹ÎºÏŽÎ½ Î¹Î´ÏÏ…Î¼Î¬Ï„Ï‰Î½ ÎµÏ…Î¸ÏÎ½ÎµÏ„Î±Î¹ Î³Î¹Î± Ï„Î¿ ÏŒÏ„Î¹ Â«Î¸Î¬Ï†Ï„Î·ÎºÎ±Î½Â» Ï„Î± Î½Î¿ÏƒÎ·ÏÎ¬ Ï„Î¿Ï€Î¯Î± Ï„Î¿Ï… Î‘ÏÎ³ÎµÎ½Ï„Î¹Î½Î¿Ï Î‘Î½Ï„ÏŒÎ½Î¹Î¿ ÎœÏ€ÎÏÎ½Î¹ (Antonio Berni) Î® Î¿Î¹ Ï†Î±Î½Ï„Î±ÏƒÎ¯ÎµÏ‚ Ï„Î¿Ï… Î™Î¬Ï€Ï‰Î½Î± ÎšÏŒÎ³ÎºÎ± Î§Î¬ÏÎ¿Ï…Îµ (Koga Harue).

Â«Î— Î±Î½Î±Î³Î½ÏŽÏÎ¹ÏƒÎ· Ï„Î·Ï‚ Î±Î¾Î¯Î±Ï‚ Ï„Ï‰Î½ ÎÏÎ³Ï‰Î½ Ï„Î·Ï‚ ÎšÎ»Î¿Î½Ï„ ÎšÎ±Î°Î½ (Claude Cahun), Ï„Î·Ï‚ Î›ÎµÎ¿Î½ÏŒÏÎ± ÎšÎ¬ÏÎ¹Î½Î³ÎºÏ„Î¿Î½ ÎºÎ±Î¹ Ï„Î·Ï‚ Î¡ÎµÎ¼ÎÎ´Î¹Î¿Ï‚ Î’Î¬ÏÎ¿ (Remedios Varo) Ï„Î± Ï„ÎµÎ»ÎµÏ…Ï„Î±Î¯Î± Ï‡ÏÏŒÎ½Î¹Î± Ï€ÏÎ¿ÎÎºÏ…ÏˆÎµ Î±Ï€ÏŒ Î±Î½Î±Î¸ÎµÏŽÏÎ·ÏƒÎ· Ï„Ï‰Î½ Â«Ï„Ï…Ï†Î»ÏŽÎ½ ÏƒÎ·Î¼ÎµÎ¯Ï‰Î½Â» Î±Î½Î±Ï†Î¿ÏÎ¹ÎºÎ¬ Î¼Îµ Ï„Î¿ Ï†ÏÎ»Î¿ ÏƒÏ„Î· Î³ÏÎ±Ï†Î® Ï„Î·Ï‚ Î¹ÏƒÏ„Î¿ÏÎ¯Î±Ï‚Â» Ï€ÏÎ¿ÏƒÎ¸ÎÏ„ÎµÎ¹ Î¿ Gale.

Î— ÎÎºÎ¸ÎµÏƒÎ· ÎµÏƒÏ„Î¹Î¬Î¶ÎµÎ¹ ÎµÎ½ Ï€Î¿Î»Î»Î¿Î¯Ï‚ ÏƒÏ„Î¹Ï‚ Â«ÎºÎ¿Î¹Î½ÎÏ‚ (ÎºÎ±Î»Î»Î¹Ï„ÎµÏ‡...

Î Î·Î³Î®/Î ÎµÏÎ¹ÏƒÏƒÏŒÏ„ÎµÏÎ±: in.gr

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